IWSG Book Club: Questions for Chill Factor

Disclosure: If readers purchase a copy of the book through the above link, I receive a small commission from Amazon. I really wasn't a fan of this book, and I don't recommend it. I gave it two out of five stars. But you're welcome to check it out if you like.

The questions come from the Insecure Writers Support Group Book Club discussion of this book.

1. In the opening of Chill Factor, I love the way Sandra Brown begins with setting, weaving in character activity and then details to create this uncertainty when we meet Ben Tierney. He is out in the open air of snowy mountains with a shovel where there are four unmarked graves. Then, as it continues, his thoughts detail the event and mystery of the graves, as he finds his way back to his vehicle. The introduction of the character, setting, and mystery are powerful. It makes you quickly flip the page to find out what happens next.

QUESTION: The first chapter ends in uncertainty. At that point, did you think Ben Tierney was a hero or a killer?

I thought there was a fair likelihood that Ben was a killer (or one of a group of killers) at that point.

2. In the second chapter, Brown is in the female POV and she reveals the thoughts of the ex-husband in such a subtle way through the female's thought summary that you almost feel like you are hearing his thoughts, not hers. It’s so seamless it feels like you are in the room with them.

QUESTION: How do you handle deep point of view between characters?

I don't think I really give it much thought. If it works well, then it's a good technique.

3. A. Which characters did you like the most in Chill Factor? Why?

I liked Scott the best. He seemed like he was trying to do the best he could with a horrible situation.

B. Which characters did you like the least in Chill Factor? Why?

I thought every male character except for Scott was awful. Dutch and Wes were both abusive. Ben was passive-aggressive. William was a nasty little weasel.

4. Throughout Chill Factor, we’re not positive if Ben is a good guy or a bad guy. Have you ever put your readers on this roller coaster ride, tricking them into thinking a good character might be bad, or vice versa? And what techniques did you use?

I've written characters who were somewhat ambiguous. I never start out with any particular technique in mind. My characters are pushy jerks who write themselves.

5. As a fellow asthma sufferer, it was nice to see that as part of the heroine's character development and nicer to see that it didn't stop her from being depicted as strong. Too often asthma and allergy sufferers are portrayed as weak.

QUESTIONS: What other characteristics often make a character seem weak? What other characters have overcome weaknesses to be portrayed as strong?

I really don't feel that Lilly was a strong character. The line about her "not wanting to play the feminist card" made me say "oh boy, here we go" early on in the book. I have asthma, and I found it rather insulting that the author used Lilly's condition as a plot point to make her "need" Ben.

I was not a fan of this one. My review is here.

https://www.goodreads.com/review/show/3240905259?book_show_action=false#_=_

Real Cie Reviews + FOAD Thursday: Harassment is Sexy and Fat People Aren't Even Human

Rating: Since there ain't no zeros, I'll give you a one

Nora Roberts' Nightshade is a trope-laden mess. Initially, I enjoyed the "hard-boiled detective narrative from a female perspective," but, fairly quickly, the cracks began to show.

I became tired of the male protagonist disrespecting the female protagonist's comfort zones and this being written as sexy rather than as harassment. She was not only supposed to endure it, but she was also supposed to enjoy it. Because nothing is hotter than a guy who won't take no for an answer.

The icing on the unpalatable cake was the "disgusting fat cat lady" who "had two chins and was working on a third," and the hero could see "at least two hundred pounds of bulk under her dress." This woman proceeds to "rub one of her chins."

I thought that Eleanor the cat lady was the most interesting character in the whole mess. I would have enjoyed reading Eleanor the Cat Lady's story. I would like a whole series of Eleanor the Cat Lady stories, where Eleanor is written as an interesting, eccentric, large human being, not a revolting, sub-human stereotype.

How hard would it have been to say that a large, elderly woman answered the door, and the hero could see several cats lying in the windows and on the furniture? The personable lady smiled and invited the hero in for cake and coffee. She was wearing a loudly colorful tunic which she may have made herself.

How easy it would have been to make the character both large and eccentric without being hateful.

Fuck Nora Roberts, and fuck every author who can't write a large character without insulting and dehumanizing them.

So done with this shit.

Cie does not recommend this book and she is unwilling to even share a link to this book even though she needs every cent she can get her broke-ass hands on.